EMITER (Marcin Dymiter)
Marcin Dymiter works in the fields of electronics, field recording, and improvised music. He creates sound installations, radio plays, and music for films, theater, exhibitions, and public spaces. He is the creator of the Field Notes project, sound maps, and the educational music series Tracklista. He leads sound workshops and activities that explore the concept of field recording. He participates in projects such as emiter, niskoszusz, ZEMITER, MAPA, and other ephemeral ensembles.
An independent curator associated with the festivals Control Room (Gdańsk), Wygłosi/Resonances (El Gallery, Elbląg), and mikro_makro (Słupsk, Flensburg). He is the originator and curator—with Marcin Barski—of the "Polish Soundscapes" project, the first Polish exhibition showcasing the field recording phenomenon, and a co-founder of the Soundscape Institute.
He collaborates with visual artist Ludomir Franczak – previously on the emiter_franczak audio video performance project, and more recently on theatrical and performance projects (Erft, Recovered, The Life and Death of Janina Węgrzynowska, Atlas of Sounds), where he is responsible for the music and sound design. He has also collaborated with Joanna Rajkowska, Elżbieta Jabłońska, Anna Baumgart, Anna Witkowska, Risa Takita, Magdalena Franczak, and Karolina Głusiec.
Music producer. Listener and participant in music and improvisation workshops in Poland and abroad, including those led by Le Quan Ninha, Andrew Sharpley, John Butcher, Robin Minard, and Wolfgang Fuchs. Scholarship holder from the University of the Arts in Berlin and finalist of the Netmage International Multimedia Festival in Bologna. Scholarship holder from the Marshal of the Pomeranian Voivodeship and the Minister of Culture and National Heritage (2011) and the Visegrad Foundation (2012). Member of the Polish Society of Electroacoustic Music.
An independent curator associated with the festivals Control Room (Gdańsk), Wygłosi/Resonances (El Gallery, Elbląg), and mikro_makro (Słupsk, Flensburg). He is the originator and curator—with Marcin Barski—of the "Polish Soundscapes" project, the first Polish exhibition showcasing the field recording phenomenon, and a co-founder of the Soundscape Institute.
He collaborates with visual artist Ludomir Franczak – previously on the emiter_franczak audio video performance project, and more recently on theatrical and performance projects (Erft, Recovered, The Life and Death of Janina Węgrzynowska, Atlas of Sounds), where he is responsible for the music and sound design. He has also collaborated with Joanna Rajkowska, Elżbieta Jabłońska, Anna Baumgart, Anna Witkowska, Risa Takita, Magdalena Franczak, and Karolina Głusiec.
Music producer. Listener and participant in music and improvisation workshops in Poland and abroad, including those led by Le Quan Ninha, Andrew Sharpley, John Butcher, Robin Minard, and Wolfgang Fuchs. Scholarship holder from the University of the Arts in Berlin and finalist of the Netmage International Multimedia Festival in Bologna. Scholarship holder from the Marshal of the Pomeranian Voivodeship and the Minister of Culture and National Heritage (2011) and the Visegrad Foundation (2012). Member of the Polish Society of Electroacoustic Music.