Detailed information
Composer
Felix Mendelssohn-Bartholdy
Duration
2 h (including one interval)
For whom?
youth, adults
Premiere at Baltic Opera Gdansk
Creatives
music direction
Anna Duczmal-Mróz
conductor (VI 2026)
Norbert Twórczyński
conductor (VI 2024)
Franck Chastrusse Colombier
direction and choreography
Gray Veredon
scenography
Katarzyna Zawistowska
costumes
Zuzanna Markiewicz
animations
Mateusz Kozłowski
lights
Piotr Miszkiewicz
choir preparation
Agnieszka Długołęcka-Kuraś
music director's assistant
Krzysztof Brzozowski
choreographer's assistants
Izabela Sokołowska-Boulton
Wojciech Warszawski
scenographer's assistants
Zuzanna Kubicz
Daniela Oderska
lights assistant
Michał Stenzel
Description
Shakespeare's work, which is the starting point for the production, focuses on the drama of lovers - Hermia and Lizander - who, looking for an escape in the Athenian forest from the girl's unfriendly father, mix in the everyday life of forest spirits, with Puck at the forefront. Comic ballet with mythology in the background. The performance of the Baltic Opera is inspired by the Lodz version of the ballet from 1985.
Realization - Ballet, Women's Choir and Orchestra of the Baltic Opera in Gdańsk.
Cast by date
Titania
Saya Ikeda
Oberon
Jacopo Severini
Puck
Bartosz Białowąs
Love in idleness
Rafaella Peres de Araújo
Hermia
Hokoru Akiyama
Demetrius
Wellson Felipio Dos Santos
Helena
Ludwiga Andruszkiewicz
Lysander
Lorenzo Dallera
The Fairies
Oliwia Bryłkowska
Natalia Cedrowicz
She has been a member of the Baltic Opera Ballet since 2016.
Milena Crameri
After performing in a production at the Zurich Opera, she joined the Baltic Opera Ballet in Gdańsk in 2018, where she has taken on a wide range of performances in ensemble and soloist roles, developing her artistic voice within the institution.
Alongside her work as a performer, she has been creating and teaching internationally. Her choreographic work, mostly explores human behavior with a particular interest in social dynamics. She often weaves subtle layers of symbolism into her pieces, moving between neoclassical and contemporary styles. This premiere marks her first full-scale production.
Her work has received several awards, including the Danse Suisse Award (2017), the Graubünden Cultural Prize (2022), and the Audience Award at the Solocoreografico Festival in Turin.
Sara Lemus
Sandra Springhorn
Nayu Hata
Agnieszka Wojciechowska
Monami Aoki
Feries
Aleksandra Szeląg
Marta Makurat
Elves
Michał Zelent
Gento Yoshimoto
From 2011 to 2017, he collaborated with the ballet company of the Teatr Wielki w Poznaniu, where he performed as a soloist from 2013 onwards. Since September 2017, he has been a soloist of the Baltic Opera Ballet.
Alessandro Imperiali
Daniel Morrison
Andrzej Ryll
Filip Michalak
In 2012, he received the Nagroda Miasta Gdańska dla Młodych Twórców w Dziedzinie Kultury, and in 2022 he was awarded the Nagroda Teatralna Marszałka Województwa Pomorskiego for his outstanding acting technique and vibrant stage energy in the performance of Don Quixote.
Riccardo Tuccinardi
The Mechanicals
Anna Wierzchucka-Tryksza
Piotr Borowy
Bartosz Kondracki
Since 2018, together with Sayaka Haruna-Kondracka, she has been creating original productions, including Below Sea Level, Carousel, My Fault, Imago, Ego, and Encounter. In 2019, they assisted Izabela Sokołowska-Boulton in creating the choreography for the opera Thaïs by Jules Massenet. In 2022, they were responsible for the choreography and stage movement for the opera King Roger by Karol Szymanowski, followed by Rigoletto in 2023 and La Bohème in 2024.
Robert Kulanin
Radosław Palutkiewicz
Bartłomiej Więckowski
Marcin Dempc
soloists
Maria Malinowska
Karolina Niebrzegowska
Ballet, Women's Choir and Baltic Opera Orchestra
conductor
Norbert Twórczyński
Titania
Ewelina Adamczyk
Oberon
Victor Verdecia
Puck
Michał Zelent
Love in idleness
Natalia Cedrowicz
She has been a member of the Baltic Opera Ballet since 2016.
Hermia
Milena Crameri
After performing in a production at the Zurich Opera, she joined the Baltic Opera Ballet in Gdańsk in 2018, where she has taken on a wide range of performances in ensemble and soloist roles, developing her artistic voice within the institution.
Alongside her work as a performer, she has been creating and teaching internationally. Her choreographic work, mostly explores human behavior with a particular interest in social dynamics. She often weaves subtle layers of symbolism into her pieces, moving between neoclassical and contemporary styles. This premiere marks her first full-scale production.
Her work has received several awards, including the Danse Suisse Award (2017), the Graubünden Cultural Prize (2022), and the Audience Award at the Solocoreografico Festival in Turin.
Demetrius
Andrzej Ryll
Helena
Oliwia Bryłkowska
Lysander
Gento Yoshimoto
From 2011 to 2017, he collaborated with the ballet company of the Teatr Wielki w Poznaniu, where he performed as a soloist from 2013 onwards. Since September 2017, he has been a soloist of the Baltic Opera Ballet.
The Fairies
Ludwiga Andruszkiewicz
Rafaella Peres de Araújo
Hokoru Akiyama
Sara Lemus
Sandra Springhorn
Nayu Hata
Agnieszka Wojciechowska
Monami Aoki
Feries
Aleksandra Szeląg
Marta Makurat
Elves
Bartosz Białowąs
Lorenzo Dallera
Alessandro Imperiali
Daniel Morrison
Wellson Felipio Dos Santos
Filip Michalak
In 2012, he received the Nagroda Miasta Gdańska dla Młodych Twórców w Dziedzinie Kultury, and in 2022 he was awarded the Nagroda Teatralna Marszałka Województwa Pomorskiego for his outstanding acting technique and vibrant stage energy in the performance of Don Quixote.
Riccardo Tuccinardi
The Mechanicals
Anna Wierzchucka-Tryksza
Piotr Borowy
Bartosz Kondracki
Since 2018, together with Sayaka Haruna-Kondracka, she has been creating original productions, including Below Sea Level, Carousel, My Fault, Imago, Ego, and Encounter. In 2019, they assisted Izabela Sokołowska-Boulton in creating the choreography for the opera Thaïs by Jules Massenet. In 2022, they were responsible for the choreography and stage movement for the opera King Roger by Karol Szymanowski, followed by Rigoletto in 2023 and La Bohème in 2024.
Robert Kulanin
Radosław Palutkiewicz
Bartłomiej Więckowski
Marcin Dempc
soloists
Maria Malinowska
Karolina Niebrzegowska
Ballet, Women's Choir and Baltic Opera Orchestra
conductor
Norbert Twórczyński
Titania
Saya Ikeda
Oberon
Jacopo Severini
Puck
Bartosz Białowąs
Love in idleness
Rafaella Peres de Araújo
Hermia
Hokoru Akiyama
Demetrius
Wellson Felipio Dos Santos
Helena
Ludwiga Andruszkiewicz
Lysander
Lorenzo Dallera
The Fairies
Oliwia Bryłkowska
Natalia Cedrowicz
She has been a member of the Baltic Opera Ballet since 2016.
Milena Crameri
After performing in a production at the Zurich Opera, she joined the Baltic Opera Ballet in Gdańsk in 2018, where she has taken on a wide range of performances in ensemble and soloist roles, developing her artistic voice within the institution.
Alongside her work as a performer, she has been creating and teaching internationally. Her choreographic work, mostly explores human behavior with a particular interest in social dynamics. She often weaves subtle layers of symbolism into her pieces, moving between neoclassical and contemporary styles. This premiere marks her first full-scale production.
Her work has received several awards, including the Danse Suisse Award (2017), the Graubünden Cultural Prize (2022), and the Audience Award at the Solocoreografico Festival in Turin.
Sara Lemus
Sandra Springhorn
Nayu Hata
Agnieszka Wojciechowska
Monami Aoki
Feries
Aleksandra Szeląg
Marta Makurat
Elves
Michał Zelent
Gento Yoshimoto
From 2011 to 2017, he collaborated with the ballet company of the Teatr Wielki w Poznaniu, where he performed as a soloist from 2013 onwards. Since September 2017, he has been a soloist of the Baltic Opera Ballet.
Alessandro Imperiali
Daniel Morrison
Andrzej Ryll
Filip Michalak
In 2012, he received the Nagroda Miasta Gdańska dla Młodych Twórców w Dziedzinie Kultury, and in 2022 he was awarded the Nagroda Teatralna Marszałka Województwa Pomorskiego for his outstanding acting technique and vibrant stage energy in the performance of Don Quixote.
Riccardo Tuccinardi
The Mechanicals
Anna Wierzchucka-Tryksza
Piotr Borowy
Bartosz Kondracki
Since 2018, together with Sayaka Haruna-Kondracka, she has been creating original productions, including Below Sea Level, Carousel, My Fault, Imago, Ego, and Encounter. In 2019, they assisted Izabela Sokołowska-Boulton in creating the choreography for the opera Thaïs by Jules Massenet. In 2022, they were responsible for the choreography and stage movement for the opera King Roger by Karol Szymanowski, followed by Rigoletto in 2023 and La Bohème in 2024.
Robert Kulanin
Radosław Palutkiewicz
Bartłomiej Więckowski
Marcin Dempc
soloists
Maria Malinowska
Karolina Niebrzegowska
Ballet, Women's Choir and Baltic Opera Orchestra
conductor
Norbert Twórczyński
Titania
Ewelina Adamczyk
Oberon
Victor Verdecia
Puck
Michał Zelent
Love in idleness
Natalia Cedrowicz
She has been a member of the Baltic Opera Ballet since 2016.
Hermia
Sandra Springhorn
Demetrius
Andrzej Ryll
Helena
Oliwia Bryłkowska
Lysander
Gento Yoshimoto
From 2011 to 2017, he collaborated with the ballet company of the Teatr Wielki w Poznaniu, where he performed as a soloist from 2013 onwards. Since September 2017, he has been a soloist of the Baltic Opera Ballet.
The Fairies
Ludwiga Andruszkiewicz
Rafaella Peres de Araújo
Hokoru Akiyama
Sara Lemus
Sandra Springhorn
Nayu Hata
Agnieszka Wojciechowska
Monami Aoki
Feries
Aleksandra Szeląg
Marta Makurat
Elves
Bartosz Białowąs
Lorenzo Dallera
Alessandro Imperiali
Daniel Morrison
Wellson Felipio Dos Santos
Filip Michalak
In 2012, he received the Nagroda Miasta Gdańska dla Młodych Twórców w Dziedzinie Kultury, and in 2022 he was awarded the Nagroda Teatralna Marszałka Województwa Pomorskiego for his outstanding acting technique and vibrant stage energy in the performance of Don Quixote.
Riccardo Tuccinardi
The Mechanicals
Anna Wierzchucka-Tryksza
Piotr Borowy
Bartosz Kondracki
Since 2018, together with Sayaka Haruna-Kondracka, she has been creating original productions, including Below Sea Level, Carousel, My Fault, Imago, Ego, and Encounter. In 2019, they assisted Izabela Sokołowska-Boulton in creating the choreography for the opera Thaïs by Jules Massenet. In 2022, they were responsible for the choreography and stage movement for the opera King Roger by Karol Szymanowski, followed by Rigoletto in 2023 and La Bohème in 2024.
Robert Kulanin
Radosław Palutkiewicz
Bartłomiej Więckowski
Marcin Dempc
soloists
Maria Malinowska
Karolina Niebrzegowska
Ballet, Women's Choir and Baltic Opera Orchestra
conductor
Norbert Twórczyński
Titania
Ewelina Adamczyk
Oberon
Victor Verdecia
Puck
Michał Zelent
Love in idleness
Natalia Cedrowicz
She has been a member of the Baltic Opera Ballet since 2016.
Hermia
Milena Crameri
After performing in a production at the Zurich Opera, she joined the Baltic Opera Ballet in Gdańsk in 2018, where she has taken on a wide range of performances in ensemble and soloist roles, developing her artistic voice within the institution.
Alongside her work as a performer, she has been creating and teaching internationally. Her choreographic work, mostly explores human behavior with a particular interest in social dynamics. She often weaves subtle layers of symbolism into her pieces, moving between neoclassical and contemporary styles. This premiere marks her first full-scale production.
Her work has received several awards, including the Danse Suisse Award (2017), the Graubünden Cultural Prize (2022), and the Audience Award at the Solocoreografico Festival in Turin.
Demetrius
Andrzej Ryll
Helena
Oliwia Bryłkowska
Lysander
Gento Yoshimoto
From 2011 to 2017, he collaborated with the ballet company of the Teatr Wielki w Poznaniu, where he performed as a soloist from 2013 onwards. Since September 2017, he has been a soloist of the Baltic Opera Ballet.
The Fairies
Ludwiga Andruszkiewicz
Rafaella Peres de Araújo
Hokoru Akiyama
Sara Lemus
Sandra Springhorn
Nayu Hata
Agnieszka Wojciechowska
Monami Aoki
Feries
Aleksandra Szeląg
Marta Makurat
Elves
Bartosz Białowąs
Lorenzo Dallera
Alessandro Imperiali
Daniel Morrison
Wellson Felipio Dos Santos
Filip Michalak
In 2012, he received the Nagroda Miasta Gdańska dla Młodych Twórców w Dziedzinie Kultury, and in 2022 he was awarded the Nagroda Teatralna Marszałka Województwa Pomorskiego for his outstanding acting technique and vibrant stage energy in the performance of Don Quixote.
Riccardo Tuccinardi
The Mechanicals
Anna Wierzchucka-Tryksza
Piotr Borowy
Bartosz Kondracki
Since 2018, together with Sayaka Haruna-Kondracka, she has been creating original productions, including Below Sea Level, Carousel, My Fault, Imago, Ego, and Encounter. In 2019, they assisted Izabela Sokołowska-Boulton in creating the choreography for the opera Thaïs by Jules Massenet. In 2022, they were responsible for the choreography and stage movement for the opera King Roger by Karol Szymanowski, followed by Rigoletto in 2023 and La Bohème in 2024.
Robert Kulanin
Radosław Palutkiewicz
Bartłomiej Więckowski
Marcin Dempc
soloists
Maria Malinowska
Karolina Niebrzegowska
Ballet, Women's Choir and Baltic Opera Orchestra
conductor
Norbert Twórczyński
Photos
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A short film presenting fragments of rehearsals and statements of producers and artists.