Detailed information
Premiere at Baltic Opera Gdansk
Creatives
music direction
José Maria Florêncio
direction
Romuald Wicza-Pokojski
choreography
Ewa Wycichowska
scenography
Zuzanna Kubicz
costumes
Zofia Komasa
lights
Michał Stenzel
Choir preparation
Agnieszka Długołęcka-Kuraś
music direction assistant
Michał Krężlewski
director's assistent
Magdalena Szlawska
choreographer's assistants
Izabela Sokołowska-Boulton
Gento Yoshimoto
He comes from Japan. He graduated from Studio Ballet International in Osaca and the Hungarian Dance Academy. He is a prizewinner and finalist of numerous competitions, including the Grand Prix de Paris, Helsinki International Ballet Competition, NBA Ballet Competition, and Youth America Grand Prix in Japan.
From 2011 to 2017, he collaborated with the ballet company of the Teatr Wielki w Poznaniu, where he performed as a soloist from 2013 onwards. Since September 2017, he has been a soloist of the Baltic Opera Ballet.
From 2011 to 2017, he collaborated with the ballet company of the Teatr Wielki w Poznaniu, where he performed as a soloist from 2013 onwards. Since September 2017, he has been a soloist of the Baltic Opera Ballet.
Wojciech Warszawski
costumes assistant
Ewelina Guzewicz
Cast
Judith
Judith
Anna Bernacka
Katarzyna Wietrzny
Karolina Niebrzegowska
Witalij Wydra
Marcin Bronikowski
Witalij Wydra
Marcin Marzec
Elżbieta Czajkowska-Kłos
Wiktoria Byczkowska
Oliwia Bryłkowska
The Prodigal Son
Katarzyna Wietrzny
Ivaylo Mihaylov
Marcin Bronikowski
Natalia Cedrowicz
Graduate of the Ballet School in Poznań. She participated in workshops at the Art Of Dance School as well as contemporary dance workshops in Bytom. She is a laureate of the Międzynarodowy Konkurs Baletowy „Złote Pointy 2016”, where she received the Audience Award, the Best Graduate Award, and the special Instytut Muzyki i Tańca award for the best performance of a contemporary variation.
She has been a member of the Baltic Opera Ballet since 2016.
She has been a member of the Baltic Opera Ballet since 2016.
Izabela Sokołowska-Boulton
Maja Boulton
Katarzyna Popiołek
Paweł Faust
Zuzanna Kassak
Artem Storozhuk
Paulina Wilczyńska
Wojciech Winnicki
Bartosz Żołubak
The Rite of Spring
Wojciech Warszawski
Sayaka Haruna-Kondracka
She studied at the Codarts University for the Arts. During the “Dance & Age” program, she had the opportunity to work with Jiří Kylián, Michael Schumacher, and Sabine Kupferberg. In the same year, she completed internships with the Dance Works Rotterdam and Introdans companies. In the 2011/2012 season, she performed with the Cinevoux Junior Company. She has been associated with the Baltic Opera since 2012.
Since 2018, together with Bartosz Kondracki, she has been creating original productions, including Below Sea Level, Carousel, My Fault, Imago, Ego, and Encounter. In 2019, they assisted Izabela Sokołowska-Boulton in creating the choreography for the opera Thaïs by Jules Massenet. In 2022, they were responsible for the choreography and stage movement for the opera King Roger by Karol Szymanowski, followed by Rigoletto in 2023 and La Bohème in 2024.
Since 2018, together with Bartosz Kondracki, she has been creating original productions, including Below Sea Level, Carousel, My Fault, Imago, Ego, and Encounter. In 2019, they assisted Izabela Sokołowska-Boulton in creating the choreography for the opera Thaïs by Jules Massenet. In 2022, they were responsible for the choreography and stage movement for the opera King Roger by Karol Szymanowski, followed by Rigoletto in 2023 and La Bohème in 2024.
Roberto Tallarigo
Gento Yoshimoto
He comes from Japan. He graduated from Studio Ballet International in Osaca and the Hungarian Dance Academy. He is a prizewinner and finalist of numerous competitions, including the Grand Prix de Paris, Helsinki International Ballet Competition, NBA Ballet Competition, and Youth America Grand Prix in Japan.
From 2011 to 2017, he collaborated with the ballet company of the Teatr Wielki w Poznaniu, where he performed as a soloist from 2013 onwards. Since September 2017, he has been a soloist of the Baltic Opera Ballet.
From 2011 to 2017, he collaborated with the ballet company of the Teatr Wielki w Poznaniu, where he performed as a soloist from 2013 onwards. Since September 2017, he has been a soloist of the Baltic Opera Ballet.
Ewelina Adamczyk
Graduate of the Ballet School in Poznań. In 2016, she also completed the Ballet Summer School. At the Międzynarodowy Konkurs Choreograficzny, she received a special distinction for artistic personality. At the Teatr Wielki w Poznaniu, she performed the role of Clara in The Nutcracker. In 2017, she joined the ballet company of the Baltic Opera.
Gwenllian Davies
Sayaka Haruna-Kondracka
She studied at the Codarts University for the Arts. During the “Dance & Age” program, she had the opportunity to work with Jiří Kylián, Michael Schumacher, and Sabine Kupferberg. In the same year, she completed internships with the Dance Works Rotterdam and Introdans companies. In the 2011/2012 season, she performed with the Cinevoux Junior Company. She has been associated with the Baltic Opera since 2012.
Since 2018, together with Bartosz Kondracki, she has been creating original productions, including Below Sea Level, Carousel, My Fault, Imago, Ego, and Encounter. In 2019, they assisted Izabela Sokołowska-Boulton in creating the choreography for the opera Thaïs by Jules Massenet. In 2022, they were responsible for the choreography and stage movement for the opera King Roger by Karol Szymanowski, followed by Rigoletto in 2023 and La Bohème in 2024.
Since 2018, together with Bartosz Kondracki, she has been creating original productions, including Below Sea Level, Carousel, My Fault, Imago, Ego, and Encounter. In 2019, they assisted Izabela Sokołowska-Boulton in creating the choreography for the opera Thaïs by Jules Massenet. In 2022, they were responsible for the choreography and stage movement for the opera King Roger by Karol Szymanowski, followed by Rigoletto in 2023 and La Bohème in 2024.
Wiktoria Byczkowska
Jaimee-Lee Camkin
Natalia Cedrowicz
Graduate of the Ballet School in Poznań. She participated in workshops at the Art Of Dance School as well as contemporary dance workshops in Bytom. She is a laureate of the Międzynarodowy Konkurs Baletowy „Złote Pointy 2016”, where she received the Audience Award, the Best Graduate Award, and the special Instytut Muzyki i Tańca award for the best performance of a contemporary variation.
She has been a member of the Baltic Opera Ballet since 2016.
She has been a member of the Baltic Opera Ballet since 2016.
Elżbieta Czajkowska-Kłos
Gwenllian Davies
Marianna Młynarska
Oliwia Bryłkowska
Sandra Springhorn
Graduate of the Ballet School in Gdańsk. Two-time winner of third prize at the Ogólnopolski Konkurs Tańca (in 2013 and 2015), and distinguished at the Konkurs Dla Młodych Tancerzy in Warsaw in 2010.
Mayu Takata
Agnieszka Wojciechowska
Graduate of the Ballet School in Warsaw. After obtaining her professional dancer’s diploma, she continued her education at the Rotterdamse Dansacademie – Codarts. She has been associated with the Baltic Opera since 2008, where from 2010 to 2016 she was a soloist of the Baltic Dance Theatre. She performed, among others, in productions by Izadora Weiss, Emil Wesołowski, Jacek Przybyłowicz, and Jiří Kylián.
Oliver Cooper
Mateusz Dryll
Bartosz Kondracki
He graduated from the Wyższa Szkoła Umiejętności with a degree in Dance. He won numerous titles and awards at the Polish, European, and World Championships. From 2007 to 2008, he was a dancer with the Kielecki Teatr Tańca. He has been associated with the Baltic Opera since 2009.
Since 2018, together with Sayaka Haruna-Kondracka, she has been creating original productions, including Below Sea Level, Carousel, My Fault, Imago, Ego, and Encounter. In 2019, they assisted Izabela Sokołowska-Boulton in creating the choreography for the opera Thaïs by Jules Massenet. In 2022, they were responsible for the choreography and stage movement for the opera King Roger by Karol Szymanowski, followed by Rigoletto in 2023 and La Bohème in 2024.
Since 2018, together with Sayaka Haruna-Kondracka, she has been creating original productions, including Below Sea Level, Carousel, My Fault, Imago, Ego, and Encounter. In 2019, they assisted Izabela Sokołowska-Boulton in creating the choreography for the opera Thaïs by Jules Massenet. In 2022, they were responsible for the choreography and stage movement for the opera King Roger by Karol Szymanowski, followed by Rigoletto in 2023 and La Bohème in 2024.
Ruaidhri Maguire
Filip Michalak
Graduate of the Ballet School in Gdańsk. After completing his studies, he began working at the Opera Nova in Bydgoszcz, and in 1999 he joined the Baltic Opera, where he debuted as Mercutio in Romeo and Juliet.
In 2012, he received the Nagroda Miasta Gdańska dla Młodych Twórców w Dziedzinie Kultury, and in 2022 he was awarded the Nagroda Teatralna Marszałka Województwa Pomorskiego for his outstanding acting technique and vibrant stage energy in the performance of Don Quixote.
In 2012, he received the Nagroda Miasta Gdańska dla Młodych Twórców w Dziedzinie Kultury, and in 2022 he was awarded the Nagroda Teatralna Marszałka Województwa Pomorskiego for his outstanding acting technique and vibrant stage energy in the performance of Don Quixote.
Daniel Morrison
Johannes Nolden
Roberto Tallarigo
Radosław Palutkiewicz
Elżbieta Czajkowska-Kłos
Przemysław Grządziela
Robert Kulanin
Anna Wierzchucka-Tryksza
Bartłomiej Więckowski
Ruaidhri Maguire
Filip Michalak
Graduate of the Ballet School in Gdańsk. After completing his studies, he began working at the Opera Nova in Bydgoszcz, and in 1999 he joined the Baltic Opera, where he debuted as Mercutio in Romeo and Juliet.
In 2012, he received the Nagroda Miasta Gdańska dla Młodych Twórców w Dziedzinie Kultury, and in 2022 he was awarded the Nagroda Teatralna Marszałka Województwa Pomorskiego for his outstanding acting technique and vibrant stage energy in the performance of Don Quixote.
In 2012, he received the Nagroda Miasta Gdańska dla Młodych Twórców w Dziedzinie Kultury, and in 2022 he was awarded the Nagroda Teatralna Marszałka Województwa Pomorskiego for his outstanding acting technique and vibrant stage energy in the performance of Don Quixote.
9 Photos
